SciFi Japan
  • SciFi Japan
  • SciFi Japan

    Godzilla - Toho

    Ultraman - Tsuburaya

    International Scifi

    Author: Loomis (Kim Song-ho)

    Korean poster for D-WAR. © 2007 Younggu Art Entertainment Co., Ltd.

    D-WAR opened nationwide in South Korea on August 1. According to news reports, D-WAR marked the biggest opening day record for a Korean movie this year with an estimated 417,298 admissions at 530 screens across the country. In comparison, THE HOST recorded around 450,000 admissions for it first day of release last year— the biggest record then, which was later outrun by SPIDER-MAN 3`s 500,000. Domestic distributor Showbox is predicting that D-WAR will sell 2 million tickets by this weekend’s close. Early analysis indicates that the high number of admissions is mainly due to family audiences. D-WAR has opened during children`s vacation season in Korea, and records show that males in their 30s and 40s bought an average 2.5 tickets per person and brought their family members to the cinemas. While D-WAR was filmed in English, 15% of all the cinemas playing the movie feature a Korean dubbed version to attract family viewing. However, audience reactions are mixed and the summer box office war is far from over. It is uncertain if D-WAR will endure after the first week or not. It will be quite interesting to observe box office charts for the weeks to come.

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    Welcome to SciFi Japan, your source for news and information on science fiction, horror, fantasy and action movies, TV shows and videos.. from classics and old favorites, to upcoming productions and home video releases, to the odd and obscure titles you may never have heard of!

    The mainstream press has largely ignored Japanese tokusatsu (special effects) films, and when the genre has been covered by American news outlets and television the results were often inaccurate and condescending. On the other hand, there have been some excellent fan publications and websites devoted to these films, but Japanese studios have been extremely reluctant to deal with fan groups due to concerns over copyright infringement issues (some fans advocate and promote activities such as video bootlegging and unlicensed downloading). With no direct access to studio news and photos, fan reporting has often been forced to rely on secondhand info and rumors.

    What was missing was a professionally run English news outlet working directly with Japanese studios and filmmakers. So, in 2006, we brought together a talented group of published authors and reporters, film historians, reviewers, festival organizers, and movie makers with ties to the Japanese film industry to launch SciFi Japan (More information on our key contributors can be found here). The only English language news site press registered with all of the major Japanese studios and production companies, SciFi Japan is able to consistently bring accurate and exclusive information on Japanese films and shows to English speaking/reading fans worldwide.

    This site also receives updates from licensees and distributors of Japanese movies in North America, the UK and Australia, and we’re press registered with the major American studios as well. So, while our primary focus remains Japanese llive action and anime news we will rinclude international productions in our "International SciFii" and. "Asian Cinema" sections.

    And in 2012, we launched SciFi JAPAN TV, a web series featuring coverage of tokusatsu events and interviews with Japanese filmmakers. Each episode was shot on location in Japan exclusively for SciFi Japan by the Gaijin Channel production team. 

    SciFi Japan has grown by leaps and bounds over these past few years, and the site will continue to improve. So please bookmark SFJ and check back with us frequently… we’ll do our best to make it worth the effort!

     

     
     
     

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